No One Wants to Read Your Shit
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"Sometimes young writers acquire the idea from their years in school that the world is waiting to read what they've written. They go this idea considering their teachers had to read their essays or term papers or dissertations. In the real globe, no i is waiting to read what you've written. pg sixteen, ebook
Along the way, Pressf
Steven Pressfield shares the applicable lessons he'south learned from a lifetime of unlike writing jobs. The most important 1 is the title of this not-fiction, cocky aid volume."Sometimes young writers acquire the idea from their years in school that the world is waiting to read what they've written. They get this thought because their teachers had to read their essays or term papers or dissertations. In the real world, no one is waiting to read what you've written. pg sixteen, ebook
Along the style, Pressfield discovered the importance of writing for yourself rather than as a ghost author, the necessity of structuring each piece whether it is a screen play or a novel, the enduring popularity of the hero's journey and more.
He also addresses the inner demons that may prevent fledging writers from finishing what they begin, a topic that Pressfield also discusses at length in his other book, The State of war of Fine art: Intermission Through the Blocks & Win Your Inner Creative Battles
"I did not know that in that location existed inside my head an invisible, insidious, intractable, indefatigable force whose sole object was to continue me from doing my work, i.e., finishing the book I had been trying to write for seven years- and ultimately to destroy me, physically, psychologically, and spiritually. All I knew was that I couldn't finish anything." pg 49
I found all of his communication helpful, and the manner in which Pressfield delivers it as both approachable and entertaining.
"The writer must know what genre he is working in and the conventions of that genre, only equally the bridge builder must understand the scientific discipline of foundational integrity and the means of mitigating stress on strung steel." pg 66, ebook
He closes the book with a humorous chestnut nearly writing for a pornographic film. Even in that tale, Pressfield managed to teach me something near story construction and storytelling. I only mention it in case whatsoever potential reader finds such things offensive. Hither'south your warning.
Highly recommended for writers at any level. Pressfield knows his stuff.
...moreHere's the matter- I come up from visual art, playwriting, and fiction. I know nothing most advertising, self help, and nonfiction. So those chapters were interesting and enlightening.
My bone to pick with this guy is almost his mental attitude to construction and heroes. The way I run into it, our world is overflowing with fine art. No one wants to read your shit. Then what do yous do? Y'all make it dissimilar. You interruption out of the structures, you bring something new to the table that no one has ever seen in t
3.5 but okay.Here's the matter- I come up from visual fine art, playwriting, and fiction. I know zip about advertising, self assistance, and nonfiction. So those chapters were interesting and enlightening.
My os to pick with this guy is most his attitude to construction and heroes. The way I meet it, our world is overflowing with art. No one wants to read your shit. So what do you exercise? You lot make it different. You break out of the structures, you lot bring something new to the table that no ane has always seen in that lite. You don't copy structures and try to make a star hero. Give me a hero that fails all the time only I nonetheless sympathize. Give me a hero that doesn't solve the problem and a sidekick that does. Give me a villain that has social anxiety and can't give a spoken communication. Give me a story made out of fractures. Give me something that breaks out of Joseph Campell's work. Give me small-scale characters that desperately desire room.
There'south something so very flawed with the notion that literature has to follow some type of path in order to exist successful. Possibly I'm too much of a young dreamer but I truly believe that if y'all follow your mind and soul, if y'all truly tell a story in your style, you'll eventually find an audition. Y'all don't need to make your writing into something information technology is. I agreed that as an artist, something inside of us yearns to tell something and it's our job to empathise what information technology is and share it in the best way. That'south what I think it'southward about, not recreating the same story over and over again.
Then do I recommend this? Yes. It's interesting. It's a quick nice read.
...moreThankfully, I did non buy this distressing piddling ebook, I downloaded it for costless from the author's website
First of all, who decided this is a book? It might authorize for a sketchbook, that'southward how empty nigh of the pages are. The author talks about writing this piece equally a fiction novel. As well bad that there'southward nigh nothing in at that place. You could read it give-and-take-for-word and notwithstanding terminate information technology in two hours. The author could accept written the same exact information in two blog posts and we would have been ameliorate off.Thankfully, I did non purchase this distressing little ebook, I downloaded it for free from the writer's website. For anyone interested in learning nigh writing, there are way improve books out there that actually teach you something, using an bodily structure and not the same phrases copy-pasted throughout the book in the one-page chapter.
I understand that recently the attention span of "virtually people" has reduced to a few seconds at a fourth dimension, but when you lot choose as an audience the only people whose attention bridge for reading is really measured in hours (aspiring writers, writers in general), yous meliorate requite them something to read, not a few flimsy four word phrases. That volition not do for a existent volume, sorry.
So no, don't buy this book unless you're really bored and desire to read (again) how the author learned to false writing during the terminal few decades.
...moreThis is a curt book that hums forth, divided into 119 rapid-fire capacity. One of them, if I retrieve correctly, was just i sentence long. One odd thing though, affiliate 119 feels tacked on. Chapter 118 sure seemed like the cease of the book then forth comes ane short final chapter that described what the author learne
I've made a hobby, over the years, of devouring how-to books about writing and storytelling. I've become a fleck of a connoisseur of these kinds of books. This one's pretty good.This is a brusque book that hums forth, divided into 119 rapid-fire chapters. One of them, if I remember correctly, was merely one sentence long. Ane odd affair though, chapter 119 feels tacked on. Chapter 118 sure seemed like the stop of the volume and and so forth comes 1 short final chapter that described what the author learned while editing a porn picture. Strange.
For such a short book, it sure covers a wide range of creative writing fields. He includes advertising, movies, novels, and a couple of types of nonfiction, all of which the author has feel with.
In the end, the bang-up take abroad here is that if yous're going to write to satisfy your own want to be a writer and proceeds notoriety, no ane volition want to read your sh*t. If, withal, you persevere and acquire your arts and crafts and accomplish that magical point where what you write is for the reader instead of yourself, y'all might succeed if y'all're lucky. That is what I got out of it.
One thing that price this volume a star with me is when he was describing the characteristics of American movies. He talks about the American character and how Americans are a nation of, amongst other things, inventors and then proceeds to list the invention of the steam engine as an American achievement. Well, Mr. Pressfield, I retrieve you should know that James Watt was Scottish and Thomas Newcomen was English language. Americans may accept had a part in improving the steam engine, just they sure didn't invent it.
In whatsoever case, I enjoyed this one.
...moreMost of all, Pressfield'southward tome will make you feel nifty about your want to write. He mentioned that writers are different from most folks, because we go around all
If you are an author or aspiring one, you take to read this book. Pressfield gives invaluable tips about writing stories people desire to read. He speaks of the "hero'southward journeying" as a mutual theme in many, many successful books and movies. When I read that, I was happily surprised to find that same theme was already in many of my works.Most of all, Pressfield's tome will make you feel bully nearly your want to write. He mentioned that writers are unlike from nearly folks, because we go effectually all day thinking about people who don't exist (our characters). Others often cannot empathize that, just I practice. I call up about my protagonists and antagonists all the time. I wonder what they would exist doing, even though I know I made them upwards. Somehow, they are real people to me.
Insightful, very well-written and worth your time.
...more thanLots of fluff, little substance, yet well written, just super basic.
It'll assistance you prepare and stay the course. And likely wind upward a domestic dog eared companion that yous lug around in your pocketbook from writing spot to coffee store.
Also, you'll actually want to catch the pic virtually Grandma Julia, except you lot'll be so inspired by this volume that you'll be likewise busy working on your own sh*t to find out whether or non that sh*t actually got wr*t.
Bravo Mr. Pressfield
Okay, concluding summer I took a class on creative writing at the local community higher. Workshopping pieces with twenty-somethings is an feel: bad grammer, misspelling, lots of time travel and dream-weaving, gratis verse about rooftop sexual activity and haikus about smoking dope. Good times. The instructor was beauteous: a poet, but however worthy to provide the nuts and bolts.
"Whether I shall turn out to exist the hero of my own life, or whether that station will be held past anybody else, t
[softcover, purchased]Okay, last summer I took a form on creative writing at the local community college. Workshopping pieces with 20-somethings is an experience: bad grammar, misspelling, lots of time travel and dream-weaving, free verse virtually rooftop sex and haikus virtually smoking dope. Good times. The instructor was admirable: a poet, just still worthy to provide the nuts and bolts.
"Whether I shall plow out to be the hero of my own life, or whether that station will exist held by anybody else, these pages must prove." ~~ David Copperfield, by Charles Dickens.
Steven Pressfield was discovered in a search for popular books on writing and this could be read along with Blake Snyder's Salve the True cat (reviewed separately, 5 stars and highly recommended) and Stephen Rex's On Writing. George Orwell's 6 rules and Kurt Vonnegut's 8 rules on writing (Google them) are quick must-reads.
No thing your intention to actually write anything, knowing the rules of writing makes reading and fifty-fifty watching movies more enjoyable and insightful. Trust me on that one. Information technology volition make yous a improve person.
Pressfield started out equally a advertising guy who wrote jingles and came up with ad campaigns; he graduated to writing nonfiction and was most famous for his novel The Legend of Bagger Vance, which was made into a moving-picture show. He says he wrote Bagger Vance in a fugue land, all at one time, ignoring the advice of his mentor and friends, and it was bought by a studio against all odds. That's how it works: a twenty-year overnight success.
This is a quick and entertaining book with short chapters and pithy nuggets. Writers need to have empathy for the reader. Bingo! Making characters believable and plot that can be followed is compulsory. Edit the sh*t out of everything.
Pressfield delves into philosophy, noting that successful characters follow Joseph Campbell's hero's journey and Carl Jung's archetypes are hard-wired into our psyches. Skillful stuff. The story-- and stories are every bit old as humanity-- is "experienced by the reader on the level of the soul."
Whether we are commiserating with Ishmael and Ahab in Moby Dick, Luke and Han in Star Wars or Greg Focker in Run into the Parents, the emotional buy-in is similar. The hero's journey is the touchstone.
Any good story volition have a hero, a villain (not necessarily a person), jeopardy and stakes. Once yous empathize this, the fine art of storytelling makes sense. Life makes sense.
Read this book, it will accept a weekend, tops.
...moreIn short, he'southward a writer whose had the same excuses and failures as the rest of united states, and makes no pretensions otherwise.
It'southward a quick read, has a lot of bully little gems in it, and ultimately accomplishes information technology'southward goal—get you fired upward about writing without any illusions most how hard it can be.
Large recommend! This and
Pressfield'south self-help voice is the supportive, working-writer father you've always wanted. His style is aboveboard, to-the-bespeak, and accepts no excuses (while remaining compassionate).In short, he'due south a author whose had the same excuses and failures every bit the balance of usa, and makes no pretensions otherwise.
It'south a quick read, has a lot of great fiddling gems in it, and ultimately accomplishes it's goal—get y'all fired up about writing without any illusions near how hard it can exist.
Big recommend! This and Turning Pro are worth a read.
P.S. Steven Pressfield comes from an quondam-schoolhouse Hollywood way of thinking where doing work for free, having bosses have advantage of you, and paying your dues is role of the writer'southward journey. It but comes upwards a couple times, just it's...non anybody's cup of tea.
All the same, the guy knows what he knows, then I'm non gonna contend it. Just know that your mileage may vary on that front.
...moreHowever, I shall avoid giving such a response as that would be a lie. This is a very nice primer on how to write, penned in an easygoing, laid-dorsum style. I usually don't read how-to books, as I experience in some cases information technology'south best to express yourself naturally as opposed to being forced to, but Pressfield makes his points without existence pushy, without judging or con
Anytime someone starts off with a title of "Nobody wants to read your sh*t", immediately, my thought is "Well, why should I read YOUR sh*t?"All the same, I shall avert giving such a response as that would be a lie. This is a very nice primer on how to write, penned in an low-key, laid-back fashion. I normally don't read how-to books, as I feel in some cases information technology's best to limited yourself naturally as opposed to being forced to, but Pressfield makes his points without being pushy, without judging or condemning. That is a cool matter, indeed, and his no-nonsense way of breaking things down is welcome.
What prompted a "Son, I iz disappoint" moment was that the volume was so brief. It'south very basic...and that's about it. But I guess that was Pressfield's point all forth. Give the basics, and let the writer find their own way. Recommended. This is a three.5 star try, IMO, just since Goodreads doesn't take a half-star choice that I'm aware of...
...moreI was kinda hoping this i would get deeper, that it would delve into techniques and strategies for engaging the audience, but information technology'southward very broad and very basic. Not a bad book, simply not a book for anyone who has already seriously studied the craft of writing.
...more thanA smashing motivation read giving the insight into a long and successful career from Steven Pressfield. Loads of messages in here to have away for whatever budding artistic. Although the whole matter is quite brief, there's something unique and stylish in the compact chapters.
Would loved to have given 5 stars for this, but was littered with typos. Mayhap a clean up and that
Received a free copy of this from Steven's mailing list, and after the hype that I accept heard from the Art of War, felt I had to read.A great motivation read giving the insight into a long and successful career from Steven Pressfield. Loads of messages in here to take away for whatsoever budding creative. Although the whole thing is quite brief, at that place's something unique and stylish in the compact chapters.
Would loved to have given 5 stars for this, but was littered with typos. Maybe a make clean up and that final star will be in that location.
...moreWhat an eye-opening volume! It touched on all the realms of writing that I love - advertisement, screenwriting, fiction, non-fiction, and self-help. WONDERFUL! *claps* *claps some more*
I am going to recommend this book to all my creative friends - and even the non so artistic ones. Surel
I have a feeling that if I read this book along with Big Magic by Elizabeth Gilbert, my mind volition explode. I'd probably exist rolling on the flooring, screaming to the summit of my lungs and chanting "truth!" the whole fourth dimension.What an eye-opening volume! Information technology touched on all the realms of writing that I dear - advertizement, screenwriting, fiction, non-fiction, and self-help. WONDERFUL! *claps* *claps some more than*
I am going to recommend this book to all my creative friends - and even the not then creative ones. Surely, they will become something out of this volume.
...more thanHow to write shit people desire to read (knowing people don't desire to read your shit). Fleck heavy on fiction but overall a complete and helpful book for anyone who writes (everyone). Pressfield is a principal story
"Sometimes immature writers larn the idea from their years in schoolhouse that the world is waiting to read what they've written. They get this idea considering their teachers had to read their essays or term papers or dissertations. In the real globe, no 1 is waiting to read what you've written."How to write shit people want to read (knowing people don't want to read your shit). Fleck heavy on fiction but overall a consummate and helpful book for anyone who writes (everyone). Pressfield is a master storyteller.
...moreThis book is about creating, storytelling and doing it the best way possible. Be it in the classroom, pitching your startup, writing a novel or inspiring your kid- this ane's for y'all.
Highly recommended.
An *excellent* thought provoking activity driving read, essential for anyone looking to write, teach, motivate, inspire or move- mainly themselves...This book is about creating, storytelling and doing it the all-time way possible. Be it in the classroom, pitching your startup, writing a novel or inspiring your kid- this 1's for you.
Highly recommended.
...moreAre you a author? Read this, even if it's just to feel connected with someone going through the same struggles you are.
Establish this volume through Seth. For gratuitous. But it's worth paying for, I'll probably club it tomorrow in print form. That's how good it is if you accept any aspirations as a writer and enjoyed the war of fine art. I did and enjoyed this ane only equally much.Are you a writer? Read this, even if information technology's only to feel continued with someone going through the same struggles yous are.
...moreI graduated from Duke Academy in 1965.
In Jan of 1966, when I was on the bus leaving Parris Island every bit a freshly-minted Marine, I looked back and idea there was at least i good thing most this departure. "No matter what happens to me for the balance of my life, no one tin ever transport me dorsum to this freakin' identify a
I was born in Port of Kingdom of spain, Trinidad, in 1943 to a Navy father and mother.I graduated from Duke University in 1965.
In January of 1966, when I was on the bus leaving Parris Island equally a freshly-minted Marine, I looked back and thought there was at to the lowest degree one good thing about this departure. "No thing what happens to me for the remainder of my life, no one tin ever ship me dorsum to this freakin' place once more."
40 years later, to my surprise and gratification, I am far more closely bound to the young men of the Marine Corps and to all other dirt-eating, ground-pounding outfits than I could ever take imagined.
GATES OF Burn down is 1 reason. Dog-eared paperbacks of this tale of the ancient Spartans have circulated throughout platoons of U.South. troops in Iraq and Afghanistan since the first days of the invasions. E-mails come in by hundreds. GATES OF Fire is on the Commandant of the Marine Corps' Reading list. It is taught at W Betoken and Annapolis and at the Marine Corps Basic Schoolhouse at Quantico. TIDES OF WAR is on the curriculum of the Naval War College.
From 2d Battalion/sixth Marines, which calls itself "the Spartans," to ODA 316 of the Special Forces, whose forearms are tattooed with the lambda of Lakedaemon, today's immature warriors notice a bond to their aboriginal precursors in the historical narratives of these novels.
My struggles to earn a living equally a author (information technology took seventeen years to become the first paycheck) are detailed in my 2002 book, THE WAR OF ART.
I have worked as an advertising copywriter, schoolteacher, tractor-trailer commuter, bartender, oilfield roustabout and attendant in a mental infirmary. I have picked fruit in Washington state and written screenplays in Tinseltown.
With the publication of THE LEGEND OF BAGGER VANCE in 1995, I became a writer of books in one case and for all.
My writing philosophy is, non surprisingly, a kind of warrior code — internal rather than external — in which the enemy is identified every bit those forms of self-sabotage that I have labeled "Resistance" with a capital R (in THE State of war OF Art) and the technique for combatting these foes tin can be described as "turning pro."
I believe in previous lives.
I believe in the Muse.
I believe that books and music be earlier they are written and that they are propelled into material being by their own imperative to be born, via the offices of those willing servants of subject field, imagination and inspiration, whom nosotros call artists. My conception of the artist's role is a combination of reverence for the unknowable nature of "where it all comes from" and a no-nonsense, blue-collar demystification of the process by which this mystery is approached. In other words, a paradox.
In that location'southward a recurring character in my books named Telamon, a mercenary of ancient days. Telamon doesn't say much. He rarely gets injure or wounded. And he never seems to historic period. His view of the profession of arms is a lot like my conception of fine art and the artist:
"Information technology is one thing to written report war, and another to live the warrior's life."
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